Gear & Workflow
The package should fit the production, not the other way around.
Equipment is selected around the cast, locations, camera workflow, RF environment, communications needs, mobility and delivery requirements of each assignment. I can work from my own package, production-provided equipment or source additional systems through established rental relationships.
Production sound
- Professional multitrack location recording and mixing
- Wireless talent systems, booms and plant microphones
- Camera hops, IFB and confidence monitoring
- Timecode synchronization, smart slate and camera integration
- Interview, documentary and mobile field packages
- Wind protection, mounting, stands, cabling and power
Post-production
- Avid Pro Tools
- DaVinci Resolve / Fairlight
- Dialogue editing and cleanup
- Sound editorial and design
- Custom field recording and sound libraries
- Re-recording and delivery support
Built around the assignment
I regularly interface with ARRI, Sony, Canon, RED and other professional camera systems and can scale from compact documentary work to multi-camera and specialty-production requirements. Additional equipment can be sourced through established professional audio and rental relationships when a project needs a larger or specialized package.
For production planning, I prefer to discuss the actual assignment before prescribing a package. Crew size, talent count, camera configuration, geography, vehicle work, RF conditions, communications and delivery requirements all affect what should travel to set.
